Seu trabalho investiga a dimensão performativa da identidade, mobilizando estratégias como encenação, repetição e deslocamento para evidenciar estruturas ligadas ao glamour, ao consumo e à branquitude. Sua pesquisa também se articula a um interesse contínuo pela história da videoarte no Brasil, com foco nas videoartistas mulheres que desbravaram essa linguagem no país, entendida como campo fundamental para o desenvolvimento de sua prática artística e reflexão crítica. Ao longo de sua produção, constrói situações em que a identidade se apresenta como construção instável, atravessada por códigos sociais e culturais. Em sua pesquisa recente, essa investigação se intensifica, abrindo espaço para questões em torno da ruptura, da instabilidade e da transformação. Realizou exposições como: Pining for Pearls (2019), Tabaroa na Galeria Santa Clara, Portugal (2018), Heteronímia na Galeria Theredoom, Espanha (2017), Lacuna no Instituto Tomie Ohtake (2017), Minada no Paço das Artes, São Paulo (2015), Phantom no espaço Phosphorus, São Paulo (2014), MUNDUM no Palácio de Pronillo, Espanha (2013), Súbita no Centro Cultural São Paulo (2013) e Peripécias no VEREDAS-SP (2012). Participou de festivais e mostras como: Videolands no MOMus – State Museum of Contemporary Art (Grécia), Film Platform na Sharjah Art Foundation (Emirados Árabes Unidos), Project 100×100=900: 50 anos da videoarte (tour internacional), Rencontres Internationales Paris/Berlin, Proyector Festival (Espanha), Ibrida Festival delle Arti Intermediali (Itália), VERBO – Mostra de Performance e Arte (Brasil), Muestra Internacional de Videoarte del Cusco (Peru), FIVA – Festival Internacional de Video Arte de Buenos Aires, Festival Images Contre Nature (França),Video Art Festival Miden (Grécia), Simultan Festival (Romênia), Experimental Film Festival Portland,  Leamington Underground Cinema Festival (Reino Unido), Infrared Ultrasound – Video Art & Performance (EUA), WOMEN Media Arts and Film Festival (Austrália), entre outros. Márcia Beatriz is a visual artist who grew up in the countryside of São Paulo, Brazil. She began her career and is currently based in São Paulo. Her practice unfolds through video art, photography, and objects that expand into video installations, addressing the construction of identity through gender, class, and race. Jaque Jolene is a character created and performed by the artist as a critical device operating between fiction and reality, questioning mechanisms of representation and social roles. Her work investigates the performative dimension of identity, mobilizing strategies such as staging, repetition, and displacement to expose structures related to glamour, consumption, and whiteness. Her research is also informed by an ongoing engagement with the history of video art in Brazil, with a focus on women video artists who pioneered this language in the country, understood as a fundamental field for the development of her artistic practice and critical reflection. Throughout her work, she constructs situations in which identity appears as an unstable construction, shaped by social and cultural codes. In her recent practice, this investigation intensifies, opening space for questions around rupture, instability, and transformation. She has held solo exhibitions such as Pining for Pearls (2019), Tabaroa at Galeria Santa Clara, Portugal (2018), Heteronímia at Galeria Theredoom, Spain (2017), Lacuna at Instituto Tomie Ohtake, São Paulo (2017), Minada at Paço das Artes, São Paulo (2015), Phantom at Phosphorus, São Paulo (2014), MUNDUM at Palacio de Pronillo, Spain (2013), Súbita at Centro Cultural São Paulo (2013), and Peripécias at VEREDAS-SP (2012). She has participated in festivals and screenings such as Videolands at MOMus – State Museum of Contemporary Art (Greece), Film Platform at Sharjah Art Foundation (United Arab Emirates), Project 100×100=900: 50 Years of Video Art (international tour), Rencontres Internationales Paris/Berlin, Proyector Festival (Spain), Ibrida Festival delle Arti Intermediali (Italy), VERBO – Performance Art Festival (Brazil), Muestra Internacional de Videoarte del Cusco (Peru), FIVA – Festival Internacional de Video Arte de Buenos Aires, Festival Images Contre Nature (France), Video Art Festival Miden (Greece), Simultan Festival (Romania), Experimental Film Festival Portland (USA), Leamington Underground Cinema Festival (United Kingdom), Infrared Ultrasound – Video Art & Performance (USA), and WOMEN Media Arts and Film Festival (Australia), among others.